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Talk:Fred Lerdahl

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Terms

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  • musical grammar - "a limited set of rules that can generate indefinitely large sets of musical events and/or their structural descriptions."
    • compositional grammar - "consiously employed"
      • natural grammar - "arisies spontaneously in a musical culture...will dominate in a culture emphasizing improvisation and encouraging active participation of the community in all the varieties of musical behaviour...depends on the listening grammar as a source"
      • artificial grammar - "the conscious invention of an individual or group within a culture...will tend to dominate in a culture that utilizes musical notation, that is self-consious, and that seperates musical activity into composer, performer, and listener"
    • listening grammar - "more or less unconsiously employed by auditors, that generates mental representations of the music."
  • 'associational' - "motivic processes and timbral relations"
  • hierarchy - "the strict nesting of elements or regions in relation to other elements or regions."
    • grouping structure - "the segmentation of the musical flow into units such as motives, phrases, and sections"
    • metrical structure - "the pattern of periodically recurring strong and weak beats associated with the surface"
    • time-span segmentation - "rhythmic units" formed from grouping and metrical structures
    • time-span reduction - "the relative structural importance of events as heard within contextually established rhythmic units" takes place over the time-span segmentation
    • prolongational reduction - "the perceived pattern of tension and relaxation among events in various levels of structure" projected from time-span reduction
  • stability conditions "of pitch configurations as considered 'out of time'" on which time-span and prolongational reductions depend
  • well-formedness rules - "defines the conditions for hierarchy"
  • transformational rules - "well-formed structures can be modified in limited ways by transformational rules"
  • preference rules - "registers particular aspects of presented musical surfaces and selects which well-formed or transformed structures in fact apply to those surfaces"

Source

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  • Lerdahl, Fred (1992). Cognitive Constraints on Compositional Systems, Contemporary Music Review 6 (2), pp. 97-121.

Fair use rationale for Image:Fred Lerdahl.jpg

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Image:Fred Lerdahl.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

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BetacommandBot (talk) 20:03, 13 February 2008 (UTC)[reply]

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This article has been reverted by a bot to this version as part of a large-scale clean-up project of multiple article copyright infringement. (See the investigation subpage) This has been done to remove User:Accotink2's contributions as they have a history of extensive copyright violation and so it is assumed that all of their major contributions are copyright violations. Earlier text must not be restored, unless it can be verified to be free of infringement. For legal reasons, Wikipedia cannot accept copyrighted text or images borrowed from other web sites or printed material; such additions must be deleted. Contributors may use sources as a source of information, but not as a source of sentences or phrases. Accordingly, the material may be rewritten, but only if it does not infringe on the copyright of the original or plagiarize from that source. Please see our guideline on non-free text for how to properly implement limited quotations of copyrighted text. Wikipedia takes copyright violations very seriously. VWBot (talk) 05:38, 10 December 2010 (UTC)[reply]

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